International Symposium | Modernism meets Gothic

GOTHIC MODERN. MUNCH - BECKMANN - KOLLWITZ

Friday, 19 September, 2025 | 10 am – 6 pm

State Rooms, Audience Hall
Access via Main Entrance

Language: English
Free Entry | Registration required

On the occasion of the opening of the exhibition Gothic Modern. Munch, Beckmann, Kollwitz, the Albertina Museum, in cooperation with the Department of Art History at the University of Vienna, is hosting an international symposium on 19 September 2025. The event aims to highlight the close interconnection between academic and curatorial research that shaped the exhibition.

In its major autumn exhibition, the Albertina Museum has set out to stage a highly charged encounter between Modernism and Gothic art. The spotlight here is on masterpieces ranging from symbolism to expressionism that take inspiration from medieval art’s emotional power. Gothic Modern demonstrates how artists’ recourse to art created prior to the rise of the academic tradition enabled them to forge new creative paths. In doing so, major works by modern artists created between 1875 and 1925 will be placed in direct confrontation with iconic paintings, prints, and sculptures by Old Masters. In this extraordinary juxtaposition of artistic eras, Gothic Modern reveals how modernism was less a fundamental break with the past than it was a movement in which purposeful engagement with the art of the late Middle Ages played a vital role.

The exhibition stems from an international research project led by Prof. Dr. Juliet Simpson (Coventry University) in partnership with Dr. Anna-Maria Bonsdorff (Director, Finnish National Gallery / Ateneum Art Museum, Helsinki), Vibeke Waallann Hansen (Senior Curator, the National Museum of Art, Architecture and Design, Oslo) and Dr. Ralph Gleis (Director General, The Albertina Museum, Vienna).

As part of the symposium, both the project contributors and internationally renowned experts—whose research has focused extensively on the intersections between Gothic and Modernism—will present new perspectives on the theme of Gothic Modern. The lectures offer fascinating insights into current scholarly work and open up surprising new angles on the often-overlooked connections between medieval visual language and modern art.

Organized by the Albertina Museum in collaboration with the Institute of Art History at the University of Vienna.

Register now

Vincent van Gogh | Kopf eines Skeletts mit brennender Zigarette (Detail), 1886 | Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)
Vincent van Gogh | Kopf eines Skeletts mit brennender Zigarette (Detail), 1886 | Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)

PROGRAM

  • Dr. Ralph Gleis (Director General, The Albertina Museum, Vienna)
  • Univ.-Prof. Assaf Pinkus, PhD (Professor for Medieval Studies, Institute of Art History, University of Vienna)

 

10 - 10.30 | Welcome and Introduction
 

10.30 - 13  | First Panel | Moderation Lydia Eder

  • 10.30 – 11.15 | Prof. Dr. Juliet Simpson (Professor of Art History, Coventry University)
    Reimagining Gothic
    What is Gothic Modern?
  • 11.30-12 | Dr. Anna-Maria Bonsdorff (Director Finnish National Gallery / Ateneum Art Museum, Helsinki)
    A Modern Dance of Death
  • 12.15 – 12.45 | Dr. Marja Lahelma (Chief Curator, Finnish National Gallery / Ateneum Art Museum, Helsinki)
    Myth, Spirituality, and Death
    Finnish Artists’ Engagement with the Gothic Modern

13 – 14 | Lunch Break
 

14 - 16.30 | Second Panel: Moderation Juliet Simpson

  • 14.15 – 14.45 | Cynthia Osiecki, MA (Curator of Old Master Paintings, The National Museum of Art, Architecture and Design, Oslo)
    The Art Historian Curt Glaser and the Debate on the Spirit of Early German Art
  • 15 – 15.30 | Stephan Kemperdick (Curator for German, Netherlandish, and French Paintings before 1600, Gemäldegalerie Staatliche Museen zu Berlin)
    Max Beckmann’s Gothic
    Modernism, the Zeitgeist, and Early German Art
  • 15.45 – 16.15 | Vibeke Waallann Hansen, MA (Senior Curator, The National Museum of Art, Architecture and Design, Oslo)
    The Cathedral as Model
    Edvard Munch and the Gothic

16.30 – 16.45 | Coffee Break
 

16.45 - 17.15 |  Third Panel | Moderation Juliet Simpson

  • Prof. Dr. Magdalena Bushart (Head of the Department of Art History, Technical University, Berlin)
    Divergent Gothic Concepts of Modernism

 

    Der Künstler im Vordergrund mit braunen kurzen Haaren und Vollbart. Er trägt ein weißes Hemd ohne Kragen und eine schwarze Jacke. In der einen Hand hält er einen Pinsel, in der anderen eine Maler-Palette und ein weißes Taschentuch. Hinter ihm ein Skelett, das eine Geige hält und ihm etwas ins Ohr flüstert. Credit: Arnold Böcklin | Selbstbildnis mit fiedelndem Tod, 1872 | Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Alte Nationalgalerie © Foto: Staatliche Museen zu Berlin, Nationalgalerie / Andres Kilger
    Arnold Böcklin | Selbstbildnis mit fiedelndem Tod, 1872 | Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Alte Nationalgalerie © Foto: Staatliche Museen zu Berlin, Nationalgalerie / Andres Kilger