True Colors

Color in Photography from 1849 to 1955

Until 21 April 2025

Richard Neuhauss | Parrot, 1899 | The ALBERTINA Museum, Vienna – Permanent Loan by Höhere Graphische Bundes-Lehr- und Versuchsanstalt © Photo: The ALBERTINA Museum, Vienna
Richard Neuhauss | Parrot, 1899 | The ALBERTINA Museum, Vienna – Permanent Loan by Höhere Graphische Bundes-Lehr- und Versuchsanstalt © Photo: The ALBERTINA Museum, Vienna

ALBERTINA MODERN, VIENNA
Small Hall (basement)

How did color get into photography? The exhibition True Colors - Color in Photography from 1849 to 1955 answers this question with outstanding works from the ALBERTINA Museum's photo collection.
The desire for color in photography has dominated the world of photography from the very beginning. True Colors traces the development of color photography, from the first experimental techniques in the 19th century to generally applicable analog color photography.

Even in the early days of photography, daguerreotypes and salt paper prints were colored by hand to create colorful images. Monochrome pigment papers, which enjoyed great popularity until the 1890s, also contributed to the broad chromatic diversity of 19th century photographs.

The first successful color process, which was reserved for an exclusive circle, was introduced in 1891. The brilliant images in the so-called interference color process are based on the physical principle of standing waves, which also allows us to see colored reflections in soap bubbles. The unique pieces from the ALBERTINA Museum’s Collection represent a unique focal point.

The autochrome process, which was introduced in 1907, brought about a major change in image culture. It was also practicable for amateurs and helped its inventors, the Lumière brothers, to achieve great commercial success. However, it was mainly used as a glass slide for projection. At the same time, around 1900, fine art printing processes were developed that used color pigments to produce multicolored image solutions. They fulfilled the artistic aspirations of the Pictorialists and were commonplace in large photo studios until the 1930s. For a long time, the challenge was to obtain colored prints on paper. This was also achieved at the beginning of the 20th century with the use of various three-color processes, which were assembled in several steps.

Anonymous | Laboratory still life, around 1906 | The ALBERTINA Museum, Vienna – Permanent Loan by Höhere Graphische Bundes-Lehr- und Versuchsanstalt © Photo: The ALBERTINA Museum, Vienna
Anonymous | Laboratory still life, around 1906 | The ALBERTINA Museum, Vienna – Permanent Loan by Höhere Graphische Bundes-Lehr- und Versuchsanstalt © Photo: The ALBERTINA Museum, Vienna
Arthur von Hübl | Exotic butterflies, 1908-1914 | The ALBERTINA Museum, Vienna – Permanent Loan by Höhere Bundes-Lehr- und Versuchsanstalt
Arthur von Hübl | Exotic butterflies, 1908-1914 | The ALBERTINA Museum, Vienna – Permanent Loan by Höhere Bundes-Lehr- und Versuchsanstalt

Kodak finally achieved the breakthrough to easy-to-use and therefore mass-market color photography in 1936 with the first 35mm color slide films. These products revolutionized the use of colour photography in the following decades, which form the conclusion of this ALBERTINA Museum exhibition.

True Colors provides an insight into the rich holdings of the ALBERTINA Museum's photography collection, the historical part of which is based on the collection of the Höhere Graphische Bundes- Lehr- und Versuchsanstalt (GLV). The exhibition demonstrates the great public interest, the constant development and the various fields of application of historical photography in color. True Colors also explores the impact of popular color processes on the visual culture of the early 20th century.

The exhibition is on view from 24 January until 21 April 2025 at the ALBERTINA MODERN.

Curatos: Dr. Anna Hanreich & Dr. Astrid Mahler
ALBERTINA MODERN – Small Hall (basement)

Hans Madensky: Fashion portrait – Student from the Vienna Hetzendorf Fashion School, 1952

Hans Madensky | Fashion portrait – Student from the Vienna Hetzendorf Fashion School, 1952 | The ALBERTINA Museum, Vienna – Permanent Loan by Höhere Graphische Bundes-Lehr- und Versuchsanstalt | © Photo: The ALBERTINA Museum, Vienna

Ad. Braun et Cie.: Sample board of various pigment papers from Ad. Braun et Cie., around 1910

Ad. Braun et Cie. | Sample board of various pigment papers from Ad. Braun et Cie., around 1910 | The ALBERTINA Museum, Vienna – Permanent loan by Höhere Graphische Bundes- Lehr- und Versuchsanstalt | © Photo: The ALBERTINA Museum, Vienna

Anonymous: Laboratory Still Life, around 1906

Anonymous | Laboratory Still Life, around 1906 | The ALBERTINA Museum, Vienna – Permanent Loan by Höhere Graphische Bundes-Lehr- und Versuchsanstalt | © Photo: The ALBERTINA Museum, Vienna

Auguste and Louis Lumière: Bangles, 1893-1900

Auguste and Louis Lumière | Bangles, 1893-1900 | The ALBERTINA Museum, Vienna – Permanent loan by Höhere Graphische Bundes-Lehr- und Versuchsanstalt

Heinrich Kühn: The Parasol, 1912

Heinrich Kühn | The Parasol, 1912 | The ALBERTINA Museum, Vienna | Photo: The ALBERTINA Museum, Vienna

Philippe Pottier: Evening Gown by Madame Grès, 1950/1954

Philippe Pottier | Evening Gown by Madame Grès, 1950/1954 | The ALBERTINA Museum, Vienna – Permanent Loan by Höhere Graphische Bundes-Lehr- und Versuchsanstalt | © Photo: The ALBERTINA Museum, Vienna

Richard Neuhauss: Parrot, 1899

Richard Neuhauss | Parrot, 1899 | The ALBERTINA Museum, Vienna – Permanent Loan by Höhere Graphische Bundes-Lehr- und Versuchsanstalt | © Photo: The ALBERTINA Museum, Vienna

Wilhelm Horn: Portrait of a Young Officer, 1849

Wilhelm Horn | Portrait of a Young Officer, 1849 | The ALBERTINA Museum, Vienna – Permanent loan by Höhere Graphische Bundes- Lehr- und Versuchsanstalt | © Photo: The ALBERTINA Museum, Vienna

Arthur von Hübl: Exotic Butterflies, 1908-1914

Arthur von Hübl | Exotic Butterflies, 1908-1914 | The ALBERTINA Museum, Vienna – Permanent Loan by Höhere Bundes-Lehr- und Versuchsanstalt | © Photo: The ALBERTINA Museum, Vienna

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  • Annual Partner
    Bank Austria UniCredit
  • Annual Partner
    Verbund
  • Partner
    BMW

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THE EXHIBITION CATALOGUE

True Colors
Editors: Anna Hanreich & Astrid Mahler
German / English | 200 pages
EUR 32.90 
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